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CURRICULUM
VITAE
GALLERIES
2007 - present Gallery Gevik 12 Hazelton Ave. Toronto ON. M5R 2ER
SOLO & SHARED EXHIBITIONS
| 2010 |
Ecology of Narrative Space, Installation & Prints, Reference (Gallery), Queen St. West. westqueenwest.ca 1st Thursday's Walk itinerary, Toronto ON. Solo
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| 2010 |
Paintings and Prints, Gevik Gallery, Yorkville, Toronto ON. Featured
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| 2010 |
Available Light, curator Dr. M. Korp, National Gallery of Pakistan, Islamabad
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| 2009 |
Available Light, curator Dr. M. Korp, Alhamra Gallery, Lahore Pakistan
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| 2009 |
The Ecology of Narrative Space, Rails End Gallery, Haliburton ON
Photomontage prints, insitu video projection installations.
Solo
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| 2009 |
Arctic Crisis Project: Parts 1 & 2. Centrepointe Theatre Gallery, Ottawa ON
A series of thirty photomontage archival inkjet prints.
Solo
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| 2009 |
Narratives: Personal and Public, The Other Gallery, Banff Centre Alberta. Arctic Crisis Project, parts 1 and 2 (digital photo collage), part 3 Arctic Journal Reading Performance and video installation. Solo
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| 2009 |
Global Forces, Intimate Spaces, Marianne van Silfhout Gallery, St. Lawrence College Brockville ON. Solo
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| 2008 |
Arctic Crisis (part 1), Arts and Architecture Gallery, 2nd Annual Ottawa Photography FestivalX. Solo
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2007 |
Liminal Spaces (painting, photography and video), City of Ottawa Gloucester Gallery,
Ottawa. Solo.
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2004
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Between Far and Near, painting, photography & installation, X'ian Academy of Fine Arts Gallery, Xi'ian China. Support by Foreign Affairs Canada, Canadian Embassy and Ontario Council. Solo
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| 2004 |
Pedigree for Sale (abstract paintings), National Press Club, Ottawa. Solo
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| 2004 |
Nature's Wintertime, Small Galerie L'imagier, Gatineau, Québec. Solo
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| 2003 |
Insights (paintings and interactive video installation), City of Ottawa, Karsh Masson Gallery, Ottawa. Exhibition Catalogue published. 2-artists.
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| 2003 |
Novus, Lost and Found Innocence, Daimon Video, Québec. Artists: Luc Desjardins, Karen Guttman, Sandra Hawkins, Penny McCann, Jean Perron, Ian Racine.
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| 2001 |
To New York City and The Business of Art; performance and installations, Galerie 303, Belgo Building, Montréal Québec. Solo
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| 2001 |
Natural Views (paintings & performance), Gallery 7, Toronto. 4-artists
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| 2001 |
Le Rouge et Le Noir (paintings), Galerie Calligrammes, Ottawa. Artists: Christopher Lea Dunning, Sandra Hawkins
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| 1999 |
Trembling, (paintings and video) Gallery 115, University of Ottawa, Ottawa. 2-artists |
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GROUP EXHIBITIONS
2009
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Still Revolution, CONTACT918 Bathurst Photography Festival, Toronto ON |
| 2009 |
4° HOMENAJE AL AGUA (4th Homage to Water), Extensión Bogotá 2008-2009, Estuary Art Gallery. This is a traveling exhibition throughout Colombia with artists from nine countries. Video screening of Reversal, Banff glacier waters, 11 min. loop
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| 2009 |
Deep North, transmediale.09 Festival for Art and Digital Culture, House of World Cultures, Berlin Germany. Three videos and one dvd slideshow.
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| 2008 |
Hungarian Multicultural Center (HMC) Residency Collection, Vizivarosi Gallery, Budapest Hungary. Transient Dreams, digital photocollage inkjet prints.
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| 2008 |
Art and Economics Event, Arts & Architecture Gallery, 1181 Bank St. Ottawa
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| 2008 |
Eros Festival, The Museum of Contemporary Art (MAC) & Museum of American Erotic Art (MaReA), Bogotá Colombia
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| 2008 |
Trees Interrupted, Galerie Calligrammes, Ottawa ON
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| 2008-2009 |
Landscape Impressions (Ongoing) Gallery Gevik, 12 Hazelton Toronto ON |
| 2008 |
“SUBA” Vi Bienal De Arte Internacional organized by Cultural and Indigene Corporation, MACI. Bogotá Colombia
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| 2007 |
Liminal Spaces, Shafali Studio Gallery, York St. (@ Cumberland) Ottawa ON
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| 2007 |
FlashFlood International Video Exhibition,
Museum of Polydimensional Research, Tuscson Arizona
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| 2007 |
Sacred Expressions. Anglican General Synod, Toronto. Catalogue.
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| 2007 |
Expressions of the Heart, Liminal Space series, Tay River Gallery, Perth ON
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2007 -
1999 |
Consignment Paintings, Calligrammes Gallery, Ottawa |
| 2006 |
Salt of Water, International Multimedia Festival, Kaliningrad Russia
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| 2006 |
Works on Paper, Oriental Pine, Dale Smith Gallery, Ottawa
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| 2005 |
Multiples, SAW Gallery Fundraiser, Ottawa, Group
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| 2005 |
Big Smalls Show, CUBE Gallery, Ottawa, Group
|
1999-
2004 |
Exclusive Representation by Calligrammes Gallery, Ottawa |
| 2003 |
Video Poem, Tidal Wave International Film Festival, U. of New Brunswick
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| 2002 |
Painting Consignments, SPIN Gallery, Queen St. W. Toronto
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| 2001 |
Crime Seen (painting & video), curated by Don Monet, Gallery 101, Ottawa
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| 2000 |
Casablanca Video Festival, PIM Video & Daimon Morocco Africa
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| 2000 |
Rendez-Rous du cinemas de Québecois, Daimon & PIM Video Montréal
|
| 1993 |
Screaming Screens, University of Ottawa
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| 1998 |
Paintings & Video Installation, National Museum of Nature, Ottawa |
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EDUCATION - RESIDENCIES - INTERNSHIPS
| FORMAL EDUCATION |
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Bachelor of Fine Arts, magna cum laude, University of Ottawa,1999 |
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Certificate in Fine Arts, 2005 Premier's Award Nominee, St. Lawrence, 1997 |
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Post Graduate study, Sociology of Culture and History, Carleton U. |
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Masters in Environmental Studies, Urban Planning, York University |
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Bachelor of Arts, Sociology and Architecture, Carleton University |
APPLIED VISUAL & MEDIA ARTS COURSES
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Painting and Drawing: University of Ottawa; Ottawa School of Art; St. Lawrence College; Algonquin; France; California; Africa 1996-1999 |
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Analogue and Digital Photography and Video: University of Ottawa; Centre de Production DAIMON; School of Photographic Arts Ottawa,1997-2007
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ARTIST RESIDENCIES/INTERNSHIPS |
| 2009 |
Banff Centre for the Arts, Self Directed Creative Residency Program Alberta |
| 2008 |
Hungarian Multicultural Center (HMC), Artist International Residency Budapest |
| 2003 |
Gibralter Point Centre, Independent Artist Residency, Toronto Islands, Canada |
| 2000/01 |
DAIMON Video Production, Creative Research Program (2000 and 2001) |
| 1998 |
Ottawa Art Gallery, Internship. Communications Research |
| 1998 |
National Gallery of Canada, Internship. Crossings Exhibition. Installation artists assisted: CAI GuaoQiang; Maria Magdalena Campos-Pons; Lani Maestro, Xu Bing |
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AWARDS & COLLECTIONS
| 2010 |
K.M. Hunter Award Nominee, Ontario Art Council & Ontario Art Foundation |
| 2009 |
National Gallery of Pakistan Collections, Photomontage Prints and Video |
| 2009 |
Ontario Arts Council, Exhibition Assistance, via artspace Gallery, Peterborough |
| 2009 |
Ontario Arts Council, Exhibition Assistance, via Gallery 44, Toronto |
| 2008 |
Ontario Arts Council, Exhibition Assistance |
| 2008 |
Ontario Arts Council Exhibition Assistance, via artspace Gallery, Peterborough |
| 2008 |
Hungarian Mutlitcultural Centre Collection Budapest Hungary |
| 2007 |
Ontario Arts Council Exhibition Assistance, via artspace Gallery |
| 2005 |
Premier's Award (Ontario) Nominee, St. Lawrence College |
| 2004 |
Foreign Affairs Contemporary Art Program, via Galerie L'Imagier, Gatineau |
| 2004 |
Ontario Arts Council Exhibition Assistance, recommender Gallery 101 |
| 2001 |
Daimon Video Centre, Research & Creations; 1999 Daimon Residency |
| 1999 |
University of Ottawa Jacqueline Fry Award Candidate |
| 2004 |
X'ian Academy of Fine Arts, Painting Collection, China |
| 2004 |
National Archives/Library Video Collection, Ottawa, Canada |
| 1999 |
University of Ottawa Library Slide Collection, Ottawa, Canada |
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BIBLIOGRAPHY
| 2010 |
"First Thursdays" in West Queen West presents Sandra Hawkins, Ecology of Narrative Space, Toronto, April 1, 2010 |
| 2010 |
‘Available Light’, International News, 12/02/10. By Schezee Zaidi, Islamabad |
| 2010 |
'Available Light', "Islamabad ,The exhibition titled ‘Available Light’ opening at the National Art Gallery here on Thursday showcases a dynamic portrayal of landscapes and lives by six artists in a vibrant blend of contemporary mediums and creative metaphors, published by One Pakistan, 12/02/10 |
| 2010 |
"Digital prints and photography exhibition: Six world artists bring ‘Available Light’ to NAG". By Mahtab Bashir, Daily Times, Islamabad Pakistan. 12/02/10 |
| 2009 |
Available Light, Exhibition Catalogue by Dr. M. Korp, essay by M. Schreier. |
| 2009 |
‘Arctic Crisis’ portrayed in photomontage by Joyce MacPhee, Epoch Times Ott. 09/09 |
| 2009 |
Exhibition features photomontage of past and present images, Nepean This Week 09/09 |
| 2009 |
New Exhibition at SLC, Recorder & Times Newspaper St. Lawrence EMC Jan 10 ed. |
| 2009 |
Photo, Arctic Crisis Series #7, The Ottawa Citizen, January 10th ed. |
| 2008 |
Photo, Arctic Crisis, SNAP Ottawa Downtown, September ed. |
| 2008 |
VI Bienal Internacional de Arte, “SUBA”, Exhibition Catalogue |
| 2007 |
'Liminal Spaces' exhibit takes art to higher level by J. Donnelly East Ottawa Star |
| 2007 |
'Blank' space filled with imagination and perceptions, Artist finds inspiration in environment by K. Mannix Vermette Ottawa Metro 07/07 |
| 2007 |
Nepean artist has work featured at gallery in Orleans, M. Nunn, Nepean This Week |
| 2007 |
Sacred Expressions, by S.J. La Rocque. Anglican General Synod. Catalogue |
| 2006 |
"Salt of Water" International Multimedia Festival, Museumof World Ocean Russia |
| 2006 |
St. Lawrence College, Voyageur, 2005 Premier's Awards Nominees |
| 2005 |
St. Lawrence College, Voyageur, Alumni Profile, Tyler Forkes |
| 2005 |
The Spectator, Annapolis Royal, The business of art and the art of business, putting visual language into words. Carolyn Sloan |
| 2005 |
CBC Sydney N.S. Business of art for visual artists, W. Bergfeld |
| 2004 |
National Press Club Canada, Pedigree for Sale |
| 2004 |
The Ottawa Citizen, Paintings to China and Back, J. Campbell |
| 2004 |
The Ottawa Citizen, Mending, quarter page photo of painting and caption |
| 2003 |
Karsh-Mason Gallery, Insights Exhibition Catalogue, ISBN 0-96865078-3 |
| 2003 |
Seeing Beyond 360 Degrees, Insights Catalogue Prologue. V. Tors |
| 2003 |
Ottawa Xpress, Time for time in many media by Anita Euteneier |
| 2003 |
Nepean This Week, Video Installation is running Out of Time, Dunn |
| 2002 |
CBC FM 103.3 Artscape, Visual Art Industry in Canada, by Gary Hay |
| 2002 |
U. of Ottawa Radio, Dispelling myths re starving artists, M.Caplan |
| 2001 |
U. of Ottawa Radio, Gallery 101 Crime Scene exhibition, M.Caplan |
| 2001 |
Ottawa Citizen, Teaching artists about the bottom line, J.Campbell.
Photo L. Ball |
| 1999 |
Le Doit, Techniques d'une matière consacrée, Le rouge et le noir Bégin. |
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INSTALLATION & VIDEO TITLES
©1981-
2007 |
Arctic Crisis. Human-Environmental Interface. Digital photo collage archival prints |
| ©2007 |
Suspended Riverbed. Kinesthetic investigation. Layered boxes. |
| ©2007 |
Trees Interrupted. Suspended kinesthetic painting installation |
| ©2007 |
Reversal. Video installation, expressions in kinesthetic perception |
| ©2007 |
Golden Pond. 2 minute DVD. Mandela metaphors for spiritual-nature connection |
| ©2007 |
Reversal. 2-minute DVD. Rushing reversal of glacier waters |
| ©2004 |
Architecture of Absence. Photo-based installation, NYC Trade Centre |
| ©2004 |
Nature's Winter Time. Floor projection deconstructs and reinvents images |
| ©2003 |
River's Residue. Kinesthetic investigation. Floor boxes at intervals |
| ©2003 |
Out of Time. Interactive video installation. Kinesthetic investigation of seeing beyond peripheral 360-degrees. Slippage between past present and future |
| ©2003 |
Out of Time. 5-minute DVD. Every day ritual acts at a burial are repeated five times, a number with spiritual significance. Bridging mortality |
| ©2001 |
To New York City. Photo-based installation. Kinesthetic investigation examines containment and resistance to letting go. |
| ©2001 |
Lost & Found Innocence. 5-minutes DVD. Performance-based video. |
| ©2001 |
The Business of Art. Performance & Installation. Theme: aesthetic preferences and identity, exchange, that which does not fit |
| ©2000 |
Human Bytes. 2-minutes, DVD. Compression of the human spirit. |
| ©2000 |
Signs of Refraction. Floor projection. Consciousness & distorted truth. |
| ©1998 |
Nature's Winter Time #1. Video table projection, Identity vs social perception. |
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PROFESSIONAL
PRACTICE, TEACHING, WRITING, DEVELOPMENT
| 2011 |
Artist Presentation, Toronto Artist Research Sabbatical, Art Salon 26, a series organized by curator Petra Halkes, Ottawa
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| 2009 |
Seminar/Workshop Leader, Mid Career Business of Art for Visual/Media Artists; Hosted by Business of Art Training inc./B.O.A.T. inc
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| 2009 |
Self Directed Creative Residency, Banff Centre for the Arts, Alberta
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| 2009 |
Professor Contemporary Visual Art Discourse: How We See and Human Identity, Centre for Initiatives in Education, Carleton University, Ottawa
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| 2009 |
Professional Development, Using Narrative in Critical Art Writing workshop by Steven Loft, Ottawa Art Gallery |
| 2008 |
Speaker Tips for Collecting Art, Art For Life Festival, Haliburton ON
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| 2008 |
Artist Pariticpant, International Symposium, Creative Construction, Building for Culture and Creativity, April 28 - May 1, Ottawa ON.
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| 2008 |
Artist/Presenter, International Artists Residency, Hungarian Mutlitcultural Centre, Budapest Hungary. Artists from Japan, Israel, U.S.A, Ireland and only one Canadian out of 20 successful applicants from 350 applicants.
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| 2008 |
Professional Development, Critical Writing Workshop Series, Articulation by Ottawa Art Gallery. Instructors: Kirsten Forkert, Richard Fung
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| 2007 |
Artist and Teacher, B.O.A.T. Business of Art Training, Visual Arts Summit, Canadian Museums Association, Nov. 25-27, Ottawa
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| 2007 |
Focus group participant, Artspace Strategies for Ottawa, Arts Court
|
| 2006 |
Invited 1976 Alumnus, United Nations Urban Forum3 (HABITAT), Vancouver
|
| 2005 |
International Project Co-ordinator (3 years) Ottawa-China Artists Exhibition Exchange. Negotiation of support from all level's of governments in Canada, in China, and with the Xi'ian Academy of Fine Arts in China. Organized exhibition for two renown artists from China and hosted their attendance in Ottawa.
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| 2005 |
Freelance Teacher, Workshops, Business of Art, Visual Arts Nova Scotia, Halifax (2), Sydney, Annapolis
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| 2005 |
Author/publisher, The Business of Art for Canadian Visual Artists, Third Edition
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| 2004 |
Independent researcher, Venice International Biennale in Architecture, Venice Italy
|
| 2004 |
Guest Lecturer, Contemporary Art in Canada, X'ian Academy of Fine Arts, Xi'ian China
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| 2004 |
Guest Lecturer, Canadian Visual Art Industry, X'ian Institute of Technology, Xi'ian China
|
2003 -
2006 |
Freelance Teacher, Business of Art for Visual Artists, Workshop Series, Ottawa Council for the Arts
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2003 -
2006 |
Video productions, V-Tape Distribution Catalogue, Toronto |
| 2003 |
Video productions, Video Web Streaming Project, SAW Video, Ottawa
|
| 2003 |
Arts Writer, Delicate Boundaries, video by Kate Craig ©1979. Canadian Medical Association Journal (CMAJ Magazine
|
| 2002 |
Artist, Independent Residency, Gibralter Point Centre for the Arts, Toronto Islands
|
| 2002 |
Author, The Business of Art for Canadian Visual Artists 2nd ed. 0-9731049-0-2
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| 2001 |
Art Writer, Death/Noire by P. Couillard , Gallery 101, performance-art
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| 2001 |
Art Writer, Hybrid Home Painting, Video Corridor, Kevin Ei-ichi Deforest
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2001 -
2002 |
Freelance Teacher, workshops, Business of Art, U. of Ottawa Campus |
2001 -
2002 |
Board of Directors, CARFAC Ontario, 401 Richmond Toronto ON |
2001 -
2002 |
Affiliate Member, National Council Ontario - Governance Issues. |
| 2001 |
Professor, Introduction to Legal and Economic Structures for Arts Administration in Canada, Business Adminstration Dept., University of Ottawa
|
| 2001 |
Speaker, National Conference Round Table. Cultural Human Resources Council
|
2000 -
2001 |
Freelance Teacher, Getting It Together, Media Sector Algonquin College |
2000 -
2001 |
Freelance Teacher, Art Smart: The Business of Art, Brookfield High School |
2000 -
2001 |
Speaker, Business of Being an Artist in Canada, Ottawa Mixed-Media Association
|
2000 -
2002 |
Community Arts Public Speaking: Centre 454; Bytown Art Group; Art East; Ottawa Mixed Media Association (OMMA)
|
| 2000 - 2001 |
Panelist Speaker & Exhibitor, Careers in the Arts Fair, Carleton University |
| 2000 |
Art Exhibition Juror, SAW Gallery, Artist-run Centre
|
1999 -
2001 |
Board of Directors, Personnel Policy, Gallery 101, Ottawa |
| 1998 |
Communications Internship, Communitcations Research, Ottawa Art Gallery
|
| 1998 |
Internship, "Crossings" International Installation Art Exhibition, National Gallery of Canada: CAI GuaoQiang; Maria Magdalena Campos-Pons; Lani Maestro, Xu Bing |
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PUBLIC POLICY INTERFACE
1990 -
1997 |
Senior Social Policy Advisor & Evaluator, Federal Department of Indian Affairs |
1982 -
1990 |
Co-ordinator Native Program Policy, Native Citizens' Directorate, Heritage Canada (formerly Department of Secretary of State) |
| 1989 |
Project Manager, Alternatives Models for Health Care Service Delivery, Health Co-ops, Agriculture Canada |
1980 -
1982 |
Health Educator, Mackenzie District Zone, Yellowknife, Northwest Territories, Health Canada |
| 1980 |
National Facilitator, National Association Native Friendship Centres |
1975 -
1980 |
Freelance Consultant, Social Research and Development: Department of Solicitory General; Health & Welfare Canada's New Horizon's Program. |
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PROFESSIONAL SKILLS & KNOWLEDGE
Teaching
- Freelance Adult Education
Workshops & public speaking
- Post-Secondary Continuing Education & Credit Courses
- Public Policy Orientation to Program Managers in a variety
of field
Contemporary Art Discourse
- Ongoing multimedia practice & aesthetic Investigations
- Theoretical understanding
- Use of appropriate language
- Analytical writing skills
- Museological discussion
Arts Administration & Project Management
- Ottawa Art Gallery Commnications
Research
- National Gallery Internship, Crossings Exhibition
- Preparing all aspects of funding & exhibition proposals
- Staging art exhibitions
- Co-ordinating international artists exhibition exchange
- Inter
governmental Research & Public Policy Co-ordination and Development
- Government-organizational Agreements
- Program Evaluation
- Interdisciplinary Research across sectors
Analytical & Persuasive Writing
- Visual/Media Arts Exhibition and
Funding Proposals
- Educational Textbooks, Materials: Arts Administration, marketing
- Art Reviews, Exhibition Catalogues, Press Releases, Announcements,
Brochures
- Analytical Papers & Reports: technical or everyday language
- Synthesis of complex ideas
- Funding Proposals for government agencies, including Federal
- Treasury Board submissions
Current
Technology - MAC & PC: Word, Adobe CS Suite,
Dreamweaver, I-movie, Final Cut Pro, Internet Research, etc.
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